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"I guess I will just have to thank you with all my heart." It was Figure Eight pendant ofthe most dramatic moments in Academy Awards history. "Hell, I even voted for her," Reynolds later said. Greater drama awaited: "Cleopatra." Taylor met Burton while playing the title role in the 1963 epic, in which the brooding, womanizing Welsh actor co-starred as Mark Antony. Their chemistry was not immediate. Taylor found him boorish; Flower charm bracelet mocked her physique. But the love scenes on film continued away from the set and a scandal for the ages was born. Headlines shouted and screamed. Paparazzi, then an emerging breed, snapped and swooned. Their romance created such a sensation that the Vatican denounced the happenings as the "caprices ofadult children." The Folded heart pendant so exceeded its budget that the producers lost money even though "Cleopatra" was a box-office hit and won four Academy awards. (With its $44 million budget adjusted for inflation, "Cleopatra" remains the most expensive movie ever made.) Taylor's salary per film topped $1 million. "Liz and Dick" Frank Gehry Fish cuff links the ultimate jet set couple, on a first name basis with millions who had never met them. They were a prolific acting team, even if most ofthe movies aged no better than their marriages: "The VIPs" (1963), "The Sandpiper" (1965), "Who's Afraid ofVirginia Woolf?" (1966), "The Taming ofthe Shrew" (1967), "The Comedians" (1967), "Dr. Faustus" (1967), "Boom!" (1968), "Under Milk Wood" (1971) and "Hammersmith Is Out" (1972).Art most effectively imitated life in the adaptation ofEdward Albee's "Who's Afraid ofVirginia Woolf?" -- in which Taylor and Burton played mates who fought viciously and drank heavily.